| Description |
xvii, 287 pages ; 24 cm. |
| Series |
Phono: black music and the global imagination ; 1
|
|
Phono (Oakland, Calif.) ; 1.
|
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction : who hears here now? -- Cosmopolitan or provincial? : ideology in early Black music historiography, 1867-1940 -- Who hears here? : Black music, critical bias, and the musicological skin trade -- The pot liquor principle : developing a Black music criticism in American music studies -- Secrets, lies and transcriptions : new revisions on race, Black music and culture -- Muzing new hoods, making new identities : film, hip-hop culture, and jazz music -- Afro-Modernism and music : on science, community, and magic in the Black Avant-Garde -- Bebop, jazz manhood and "piano shame" -- Blues and the ethnographic truth -- Time is illmatic : a song for my father, a letter to my son -- A new kind of blue : the power of suggestion and the pleasure of groove in Robert Glasper's Black Radio -- Free jazz and the price of Black musical abstraction -- Jack Whitten's musical eye -- Out of place and out of line : Jason Moran's eclecticism as critical inquiry -- African American music -- Onward : an afterword by Shana L. Redmond. |
| Subject |
African Americans -- Music -- History and criticism.
|
|
Popular music -- Social aspects -- United States.
|
|
Musicology -- United States -- History.
|
| Added Author |
Kernodle, Tammy L., 1969- author of foreword.
|
|
Redmond, Shana L., author of afterword.
|
| ISBN |
9780520281837 hardcover |
|
0520281837 hardcover |
|
9780520281844 paperback |
|
0520281845 paperback |
|
9780520392182 electronic book |
|
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